Dracula Has Had Enough

A humorous gothic reflection on eternal life, office fatigue, and suspicious ceiling noises.

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Today is Dracula Day. 

I wasn’t aware he had a day, but even Brahm’s great count must travel. 

And show resilience despite Singapore’s extreme tropical heat. 

So here he comes to Singapore, 

For a little satire and colloquialism.

An uncle with a velvet cloak, sweat and smell.

Even creatures of the night must remain steady in the heat.

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SIngapore. 

Land of mist and darkness. 

Tropical fear. 

Or so my mandibles thought.

But–

My black velvet cloak–

Collapsed against my chest.  

The heat seared, even at night.

The moonlight I loved–

Wore yellow HDB fluorescence.  

Not tropical fear. 

Tropical heat. 

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Preserve my gothic dignity.

An absolute must. 

Finally, a coffin. 

At Bukit Brown cemetery. 

Casually creepy. 

It simmered with invitation in the yellow moonlight. 

My fangs clicked beside the fan sealed within. 

Still, too hot. 

My black velvet cloak–

Black Armani velvet–

Collapsed against my back.

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I finally managed to pop the coffin lid,

With that dreaded velvet cloak

Still collapsed against my back. 

I boarded the MRT —

With perspiration-drowned denizens

And their cloaks

Stuck against their backs. 

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I shunned the daylight streaming from the windows–

Moisture collapsing further. 

And below–

Office workers. 

In their velvet cloaks. 

Marching beneath the searing sky.

A boy.

“Eh, Uncle. 

You smelly ah.”

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So  I wore 

The same black velvet cloak

Collapsed against my back

And stepped forth 

Beneath the searing sky. 

Watching velvet-clad minions

Perform their duties

Glowing in the sun. 

They wear velvet here. 

So can Count Dracula. 

To a coffee shop for iced kopi.

With the same little boy.

He showed me around. 

Not so smelly, ah.

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Mirrors of the MindΒ by Michelle Liew is a collection of psychological and supernatural short stories that explore the quiet unease beneath ordinary moments. These are not tales of spectacle, but of subtle fracture β€” where memory distorts, silence speaks, and the self is not always singular. In these stories, what is unseen often carries the greatest weight, and what lingers is not what is shown, but what is felt.

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